I combined this with a still taken from an early cut of a scene provided by Ed. Since this still is fairly low resolution, we are planning to take a proper photograph another time to allow the poster to me larger and escape the need of hiding artifacting with excessive effects.
In our final poster, we've planned to include mid-closeup shots of the key characters in the current negative space along side each section of text, and hopefully this opposite positioning of these images on the poster will allow people to guess their relationship to each other right out of the box.

The early working draft in Photoshop.

A part finished poster concept, missing character shots alongside the text.
We still don't have a good title for our project, so I'm using placeholder text for now. With any luck, the final title will be fairly similar in length to the placeholder and we'll be able to keep the offset style.
I'm fairly happy with how this poster concept is doing so far, I wanted to avoid creating an image compling to the really generic standard of a long/mid shot with a few faces super imposed over it. Whilst not escaping all of the traditional thriller movie conventions, and not being as creative as a few of the posters we've looked at, I think that the use of contrasting symmetry, asymmetry, and negative space has resulted in a fairly good looking image.
A major critism of the poster in it's current state is that it by no means indicates the primary drive in the narrative, the protaganist repeatedly playing out a situation in his mind. It's a very long way from being unique and memorable, but we will try out other ideas later if we have time, perhaps a recursivly repeating image of fractured mirror inside another, which will demonstrate the film's themes of self reflection and repetition.

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